Stay-at-home orders during the COVID‑19 pandemic have had a devastating impact on women in Latin America and brought mass protests against gender violence to a screeching, and troubling, halt. Since the foundational march of NiUnaMenos in June 2015 in Buenos Aires, Latin American activists have revolutionized protest against gender violence in a spectacularly public way, bringing together hundreds of thousands of women and allies on the streets of major cities to denounce gender violence and demand protection of gender, sexuality, and reproductive rights. Since its debut last November, the flashmob Un violador en tu camino (A Rapist in Your Path), created by the Chilean feminist collective Las Tesis, has been performed in more than 200 cities around the world, decrying the role of the state and police in perpetuating gender violence.
Nada me hace bailar tanto como el bajo palpitante y el seductor ritmo del popular reggaetón, y no hay nada como una canción clásica de Daddy Yankee o de Don Omar para llenar la pista de baile de caderas danzantes y pies que se mueven. A lo mejor tiene que ver con los gratos recuerdos de mis viajes a República Dominicana y Perú, y mi año como becaria Fulbright en Colombia, lo que alimentó mi afinidad con el dembow de este género musical y sus letras dichas con frenetismo. A lo mejor, simplemente, el reggaetón es propicio para el baile.
Abstract: The publication of Elsa Chaney’s research on female political engagement in Latin America in 1971 ensured her legacy as a pioneer in that domain. It also provided decades of investigators with a baseline for evolving theories associated with the supermadre model. Sociopolitical developments in the twenty-first century now question that model’s viability going forward. This discussion suggests a recast model—an “adaptation of species” with enhanced capabilities: the supra-madre.
Two years ago, I sat in a classroom in Rio de Janeiro, Brazil and listened as Brazilian university students analyzed the election of US President Donald Trump on an international scale. It was the day after Trump was elected and I was still trying to wrap my brain around the outcome. I felt isolated from my country both physically and emotionally.The students spoke about a right-wing shift the world was undergoing, basing their arguments on their own political atmosphere – which had just seen their leftist president impeached – and the trends they were studying in England, France, and their own region. They predicted that their own country would again shift to the right in their next election, foreshadowing the results of Brazil’s presidential election on October 28.
Jair Bolsonaro won Brazil’s presidential election last weekend with 55.1% of votes against the leftist Workers’ Party candidate Fernando Haddad’s 44.8%. Bolsonaro garnered attention during his campaign for his firm stance on combating the nation’s violence and ridding the government of corruption, which has indicted many high-level politicians since 2014. However, Bolsonaro is also known for his blunt, homophobic, racist, and sexist statements and is referred to as the “Trump of the Tropics” for the similarities in the two politicians’ rhetoric and campaign tactics. Bolsonaro’s election represents the most dramatic political shift in Brazil since it restored democracy in 1988, but the nation is not alone in its turn away from the left. Argentina, Chile, Colombia, and the United States have all recently elected conservative leaders, and this trend sparks questions as to why this shift is occurring and what it could mean for the Western Hemisphere.
Nothing gets me dancing quite like the pulsing bass and seductive hooks of popular reggaetón, and there is nothing like a classic Daddy Yankee or Don Omar track to ignite the dance floor with swinging hips and shuffling feet. Perhaps it’s my fond memories of travels in the Dominican Republic and Peru and my Fulbright year in Colombia that feed my affinity to the genre’s dembow beat and frenetically delivered lyrics. Perhaps it’s simply conducive to dancing.